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The project CT-Nature was to find an area in nature which is untouched or otherwise not affected by mankind. After much deliberation and several other attempts at things like wind, aurora borealis and volcanoes, I arrived at the idea of the deepest oceanic depths. And, thusly the idea of the abyssal plain was born. The song is a combination of synthesized sounds and real recording, joined with a muted drone underneath. Used were recordings available from archive.org, freesound.org and noaa.gov. Written, recorded, produced: July, August 2008.
one of my favourite tracks of the project and i don't know even why.. maybe it's the overall sound, production, depth, maybe because it's like having mr. l.shankar into sonoprint's abyss for one of his double neck impros.
I had no preconceived idea of the music, except to create a mood. To befit my current status, this turned out fairly dark. The idea is you're stood as an observer on Bleaklow moor (in Yorkshire), in light rain. The sun emerges, but in the end a storm looms. The guitar element is taken frm a gig I played in the open air, combined with an obscure sample from the 60s, slowed way down. Arranged using Ableton live
another winner if not for the experimentalism (uff!), but for the determination to combine such a wide array of colours and make it work. creator unmasked, mr. nick! .. how i love gtr. intro!. at first listen seemed a string quartet of his own... was it?.
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