1999: West Coast1999: Europe1999: Middle America1999: East Coast2000: Found Sound2000: Akapella2000: Seventy-Five Seconds2000: Philter Phrenzy2000: Bluezette2000: Ambitative 12000: Ambitative 22000: Object/Videogame2002: Source2002: Product2001: Acoustic2001: Location Volume 12003: Percussion2004: Location Volume 22004: Where We're At2005: Film2005: Poem2006: Live2006: Great Speeches2007: Papermusic2007: MRI2007: Caligari2007: Teisha is now banned2008: Birds2008: Birds and Men2008: Acoustic II2008: Bugs2008: Zodiac2008: Nature2009: Generative2009: ReUse2009: Quartet2010: Reverb2010: Counterpoint2011: Harmonics2012: Domestic2012: One Minute2017: Where we're at 2017
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email mikoli@sonoprint.com 
url http://www.sonoprint.com  
aboutAtmospheres, Music, Sound Design  

The copyright to each song belongs to the respective artist.
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1 Nature
stream trackload mp3   Abyssal Plain
The project CT-Nature was to find an area in nature which is untouched or otherwise not affected by mankind. After much deliberation and several other attempts at things like wind, aurora borealis and volcanoes, I arrived at the idea of the deepest oceanic depths. And, thusly the idea of the abyssal plain was born. The song is a combination of synthesized sounds and real recording, joined with a muted drone underneath. Used were recordings available from archive.org, freesound.org and noaa.gov. Written, recorded, produced: July, August 2008.
comment 15.10.2008: raul bonell (www.myspace.com/theplayingorchestra)
  one of my favourite tracks of the project and i don't know
even why.. maybe it's the overall sound, production, depth,
maybe because it's like having mr. l.shankar into sonoprint's
abyss for one of his double neck impros.
comment 16.10.2008: Adam J Wimbush (www.myspace.com/ascsoms)
  i love this stuff, this is why i keep coming back to the CTC
comment 20.10.2008: nick robinson (www.looping.me.uk)
  dark and brooding, just how I like it ;)
2 Papermusic
stream trackload mp3   Paper Music
Live samples were recorded with an ATR50 run through a Fostex mixer and an Edirol USB interface. Recording, looping and effects were all done in Logic 7.2 on a Mac G5.

All samples were from a single sheet of paper with the exception of one sample where the entire paper stack was dropped.

The sheet was "played" by rubbing on end against the other, pulling it from a folded position, tearing the paper and finally crinkling it.

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