| about us | projects | members | feedback | links | favorites |
|
||||
| Michael Peters a.k.a. veloopity |
|
|||
| mp@michaelpeters.de | ||||
| url | http://www.michaelpeters.de | |||
| address | Neuensaaler Str. 35, D-51515 Kürten, Germany | |||
| about | I started playing guitar in the early seventies, mostly playing in open improvisation bands. In the eighties, I played in new age bands, punk and rock bands, and open improvisation orchestras, and took some Guitar Craft lessons from Fripp. In the nineties, I played with a cover band and a Guitar Craft inspired ensemble. During the last years, I mostly played with avant rock and open improv bands again. I have always used electronics and strange devices to make my guitar sound unusual, and loop delays and computers to construct unusual pieces of solo music. All of my CT tracks were done directly in the computer - now that I think of it, I didn't play guitar on any of them ... Since 2003, I've been experimenting with real-time looping and cut-up collage techniques using a simple radio as input, being fascinated by the unpredictability of that sound source. and I've built this website ... that was big fun and a very satisfying task. | |||
| Michael Peters coordinated these CT projects: |
|
The copyright to each song belongs to the respective artist.
Right-click audio player and then click "save as" to download a track
| November Under The Stairs |
|
||||||||
| how my piano (that sits under the stairs) feels in November | |||||||||
| Alright Alright |
|
||||||||
| Rhythm done in Borderlands, granular synthesis of a bamboo field recording. Voice done with Pink Trombone | |||||||||
| Fractronics |
|
||||||||
| guitar and an Expertsleepers plugin called "Crossfade Loop Synth" | |||||||||
|
|||||||||
| Bursts 1 |
|
||||||||
| algorithmic music created by my old fractal software "HOP", similar to what you can hear on the CD "Impossible Music" but more contemporary sounds | |||||||||
| Bursts 2 |
|
||||||||
| algorithmic music created by my old fractal software "HOP", similar to what you can hear on the CD "Impossible Music" but more contemporary sounds | |||||||||
| CheapSwitterBeat |
|
||||||||
| harmonic inventions played on "Romantic Strings" samples of an Optigan (an ancient optical disc based sampling keyboard) | |||||||||
|
|||||||||
| Purrscape |
|
||||||||
| no, not a synth :) | |||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
| The Resonant World |
|
||||||||
| "The Resonant World" is based on comb filter resonance (a special case of harmonics). Underwater recordings of pebbles moved by surf get harmonized by a comb filter drone; later in the piece, drum sounds get harmonized by comb filtered guitar chords. The vocals are based on a granular synthesis treated excerpt of Djurdjura's piece "A Dezzi a Saa". Mastered by Walter Brühn | |||||||||
|
|||||||||
|
|||||||||
|
|||||||||
| Under The Bridge |
|
||||||||
| (source track for the generative mix on CT-Generative) | |||||||||
| Lark Machine |
|
||||||||
| This consists of electronically treated recordings of songs of a lark (alauda arvensis,there are many images of it on the web), plus string chords which I stole from Morton Feldman, and slowed down drastically | |||||||||
| Rascheln Knallen Quietschen |
|
||||||||
| all sounds generated with nothing but paper and treated with granular synthesis. I created a number of single tracks using specific paper sounds and suitable specific granular synth treatments and mixed them in Adobe Audition. Rascheln=rustling Knallen=disploding Quietschen=squeaking |
|||||||||
| Moon 1969 |
|
||||||||
| John F. Kennedy, 1961: "I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the moon and returning him safely to the earth" See this page for details |
|||||||||
| Central Dream Park |
|
||||||||
| Music for the closing scene of an imaginary impressionist feature about Central Park. All sounds come from the M-Tron mellotron sample library. | |||||||||
|
|||||||||
| Das Geräusch |
|
||||||||
| Soundtrack for an imaginary German trailer of "Earth vs. the flying saucers". Granulated rattan sofa, half speed mellotron, various sounds, speech samples. Translated libretto: man1: listen! what is it? woman: what do you mean? man1: this is the noise! woman: this is the noise! woman: this is the noise! man1: this is the noise that was on our tape. we could not understand the words because the tape was running too fast man2: we have only heard some unintelligible noises - but they didn't make sense to us alien: we have a completely different rhythm of time here alien: (sings in alien language) woman: was that a saucer ... a flying saucer? man1: we have seen something that one could take for a flying saucer ... movie links: http://www.imdb.com/title/tt0049169 (has link to old trailer) http://www.bmovies.de/untertassen1.html |
|||||||||
|
|||||||||
|
|||||||||
| Une danse dans la cuisine du Roi de Beteigeuze |
|
||||||||
| The track was composed of these sounds (can you spot them?): a vocal sample from a renaissance music cd - the cracking of an aluminium yoghurt package lid - a large wooden paper pulp stamper driven by a water wheel - a metal leg of a table - the squeaking and honking of mushrooms being cut with a knife. Everything was put together using Sonic Foundry's Acid software. |
|||||||||
|
|||||||||
|
|||||||||
| Biesfeld |
|
||||||||
| Kürten, Germany | |||||||||
| Biesfeld is a village in a rural area (Bergisches Land) just east of Cologne, Germany. Hills, small towns, small forests, meadows, small rivers, agriculture, horses, cows. You hear: songbirds - a vibrating fence wire - steps in the snow - cracking ice on puddles - airplane - water in a creek - hen - a horse - wind in large plastic sheets - an owl - chainsaws on a construction site - kids playing - crickets - a car - thunder. Tools used: DAT recorder - Cubase - Granulab - Audiomulch - Wavewarp. |
|||||||||
| balloon |
|
||||||||
| All sounds were generated using a small inflatable toy balloon. The sounds were then modified using Granulab and Audiomulch | |||||||||
| Orllyndie |
|
||||||||
| Orllyndie is the name of a strange but idyllic forest planet from an SF novel. The piece was constructed using samples of: a balaphone, a tropical birdcall, another birdcall (that I had tried to record from out of a hotel bathroom window while the water system was hissing loudly), and a ney flute. Granular synthesis was applied to some of the sounds, others were simply played back using a sampling keyboard. |
|||||||||
 write a feedback for one of the above tracks
|
permalink for this CT member page:
https://www.ct-collective.com/index.cfm?page=members&artistid=65
(right-click and copy link, then paste it on Facebook or whereever)
website programming & hosting by michael peters, neuensaaler str. 35, d-51515 kürten, germany
data privacy: this website needs to use simple id cookies to run. no personal data are stored or used in any way