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1
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Ben Powell
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1:00 |
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2
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Anton Mobin
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Souvenirs |
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Souvenirs is a fragmented dynamic collage realized with my sound report about my last journey in Berlin, in February 2012.
http://soundcloud.com/berlin-report-02-2012
Recorded in Emitter19, a sound recording and post-production studio based in Berlin, managed by Kris Limbach and Pierce Warnecke.
http://emitter19.blogsport.de/
With the voice and/or music by Pierce Warnecke, Kris Limbach, Hopek Quirin and Rinus van Alebeek.
Also used in this one minute piece, a recording in Herthaner during the Bundesliga football match, Bayern Munich vs Schalke 04 (2:0). Rest moment with Rinus van Alebeek. |
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1:00 |
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3
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Sylvain Poitras
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the longing for repetition |
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All sounds are derived from a 10-second bass clarinet phrase sample
that can be downloaded freely from the London Philharmonic's website.
The sample was played back at various playback rates, forward and
backward, through various envelopes using the Samplewiz sampler on my
iPod. |
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1:00 |
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19.05.2012: Rick Walker (www.youtube.com/looppool) |
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Beautiful and evocative chamber music for the new millenium.
I'd love to know how you made it (improvisation? composed? multi-tracked? live looped?
Really nice, Sylvain! |
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19.05.2012: Sylvain Poitras (www.sylvainpoitras.com) |
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Thanks Rick,
This was recorded in one take with all looping and effects done in samplewiz. No further editing or effects except for copy and pasting the beginning at the end to bring closure to the piece.
I approach samplewiz as a livelooper... If you're in "note hold" mode, every note on the keyboard becomes like a track on a multitrack looper (each with a different playback rate). For this piece, I used the forward and backwards loop settings, so things get go sound a bit different. Add some delay and mess with the envelope and it should sound nice. Once you have a good bed of asynchronous loops, you can exit "note hold" n'y tapping rather than swiping the control box (this keeps the held notes). I then changed the settings around and played over the loops without "overdubbing".
Samplewiz is quite powerful... You can also change the loop start and end points in between notes to add variety. |
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4
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David Cooper Orton
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a few notes dwelling on 60 seconds |
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First minute of improvised piece testing out a different setting of the M9 Particleverb. Some level changes and repositioning of elements in stereo field in post-production |
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1:00 |
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5
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Jeff Lomas
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1:00 |
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6
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Ben Powell
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1:00 |
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7
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Jeff Duke
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Gintchy |
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guitar, effects and loopers. The loopers used could have been any of or a combo of Line 6 M9, EH 2880, Boss DD-20. |
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1:00 |
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8
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Ben Powell
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1:00 |
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9
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Jeffrey Letterly
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1:00 |
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10
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David Cooper Orton
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a minute of your time |
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My first thoughts on this project were to record all the clocks in our house ticking away for a minute, and see what sort of phase effects might occur. I didn't really like the results, so having completed the 5-7-12 piece, dug out the resonator guitar tuned in DADGAD and played along with one of the clocks keeping time... |
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1:00 |
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11
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Michael Peters
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Fractronics |
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guitar and an Expertsleepers plugin called "Crossfade Loop Synth" |
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1:00 |
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12
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David Cooper Orton
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delayed in transit |
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Edited from a experimental jam which took place earlier in the week. Guitar and effects/loops, re-positioned in the stereo field during post-processing in Acid Pro |
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1:00 |
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19.05.2012: Nick Robinson (www.looping.me.uk) |
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One of the things what I love about your playing is that you have the courage to keep your core tonality and so it becomes distinctly DCO - few players find their identity like that. |
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13
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Matthias Ebbinghaus
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CIA Plan Ocker |
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matebb: piano, crackle box
excerpt from a live recording, Aug. 22nd, 2005
no overdubs or other modifications
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1:00 |
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14
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Michael Frank
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1:00 |
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15
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Nick Robinson
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My Newt |
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Out of my comfort zone with 5/4 time and dadgad tuning! Aimed to give the melody a flutey feel... |
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1:00 |
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16
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Josh Ronsen
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1:00 |
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17
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David Cooper Orton
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fife-severn-deuddeg |
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Self-obsession taken to new areas previously left untrampled...alternating bars of 5 and 7 beats, overlaid with the sum of the two: 12, as all this came to be at the moment procrastination switched to feverish activity - the weekend of my 57th birthday, on 12 May 2012. Numerlogicalitastic... |
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19.05.2012: Nick Robinson (www.looping.me.uk) |
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Great - you're 2 years older than me, so I still have time to learn how to play rhythms like this without my head exploding? |
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18
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Rinus van Alebeek
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1:00 |
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19
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Georgina Brett
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1:00 |
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20
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brekekekexkoaxkoax
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1:00 |
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21
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Jeff Duke
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Kirei |
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Kirei came from the same 30 min sit down for this project as Gintchy (above) and used basically the same setup of guitar, effects and loopers with the addition of a Digitech TimeBender delay unit featured prominently. |
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1:00 |
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22
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Matthias Ebbinghaus
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Birds & Cars |
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field recordings, electronic percussion, piano, sampler, devices |
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1:00 |
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23
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Mike Fazio
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1:00 |
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24
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Jeff Pavelec
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1:00 |
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25
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Michael Peters
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Bursts 1 |
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algorithmic music created by my old fractal software "HOP", similar to what you can hear on the CD "Impossible Music" but more contemporary sounds |
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1:00 |
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26
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Ronny Waernes
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1:00 |
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27
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Mike Fazio
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1:00 |
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28
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Nick Robinson
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1:00 |
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29
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Matthias Ebbinghaus
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Palace Rock In |
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matebb: piano, crackle box
excerpt from a live recording, Aug. 22nd, 2005
no overdubs or other modifications
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1:00 |
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30
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Rick Walker
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1:00 |
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31
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Michael Peters
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Bursts 2 |
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algorithmic music created by my old fractal software "HOP", similar to what you can hear on the CD "Impossible Music" but more contemporary sounds |
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1:00 |
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32
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Ronny Waernes
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1:00 |
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33
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Sylvain Poitras
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Twice through the looking glass |
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I used the same bass clarinet sample as for my first contribution (the longing for repetition), but this time I went at it from a few different angles. |
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1:00 |
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34
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Anders Östberg
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1:00 |
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35
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Steve Moyes
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1:00 |
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36
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Michael Peters
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CheapSwitterBeat |
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harmonic inventions played on "Romantic Strings" samples of an Optigan (an ancient optical disc based sampling keyboard) |
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1:00 |
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19.05.2012: Rick Walker (www.youtube.com/looppool) |
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This music sounds like it comes from a forgotten time, long ago, but in a similar but alternate reality. It is extremely evocative and moving to me. |
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;)
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