I just finished this track as my first commission for a national dance troupe. The first ostinato was created with a found sound "MIKEYPHONE", gifted to me by the brilliant electronic musician, Michael Haumesser: It uses large, water filled oatmeal tins suspended from a wooden box with thick rubber bands. Played with the fingers, the pitch modulate with the bouncing of the cans. The second section (also inspired by Michael's NotNoise treated guitar project) was played with a stratocaster, capoed up high and "prepared" with alligator clips, then played with plastic martini stirrers.
Recorded in ACID with a LINE 6 DDL-looper, MIKEYPHONE, whirly gigs and an Alesis QSR synthesizer" />
 
1999: West Coast1999: Europe1999: Middle America1999: East Coast2000: Found Sound2000: Akapella2000: Seventy-Five Seconds2000: Philter Phrenzy2000: Bluezette2000: Ambitative 12000: Ambitative 22000: Object/Videogame2002: Source2002: Product2001: Acoustic2001: Location Volume 12003: Percussion2004: Location Volume 22004: Where We're At2005: Film2005: Poem2006: Live2006: Great Speeches2007: Papermusic2007: MRI2007: Caligari2007: Teisha is now banned2008: Birds2008: Birds and Men2008: Acoustic II2008: Bugs2008: Zodiac2008: Nature2009: Generative2009: ReUse2009: Quartet2010: Reverb2010: Counterpoint2011: Harmonics2012: Domestic2012: One Minute2017: Where we're at 2017
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Ambitative 2

NEMO 007-2
year: 2000

project coordinator:Raül Bonell Tomàs
mastering: Raül Bonell Tomàs
artwork:Michael Peters


it's ambient music, but not wussy. Part 2 of 2.


The copyright to each song belongs to the respective artist.
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10 Loop.pooL The Box
  From the CD, "Loop.pooL"

I just finished this track as my first commission for a national dance troupe. The first ostinato was created with a found sound "MIKEYPHONE", gifted to me by the brilliant electronic musician, Michael Haumesser: It uses large, water filled oatmeal tins suspended from a wooden box with thick rubber bands. Played with the fingers, the pitch modulate with the bouncing of the cans. The second section (also inspired by Michael's NotNoise treated guitar project) was played with a stratocaster, capoed up high and "prepared" with alligator clips, then played with plastic martini stirrers.

Recorded in ACID with a LINE 6 DDL-looper, MIKEYPHONE, whirly gigs and an Alesis QSR synthesizer


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